Festivities at Staples Center in Los Angeles honor excellence in the recording industry, James Corden hosts; scheduled performers include John Legend, Metallica, Carrie Underwood, Keith Urban, Adele, and Bruno Mars：：：：：：
A look at Pembrokeshire’s wild and rugged coast, where life is defined by the rhythm of the seasons and the power of the seaVVVVV
本节目主要跟随西班牙边境巡逻局与海关执法局的官员们，看看他们如何打击偷渡者、军火走私犯与嚣张的毒枭集团。2017—2020年度分季播出TTTT 由于IMDB上标注出品国为德国，语言为德语，未标注集数。国内视频平台为探索频道discovery出品，语言为英语，第1季11集
喜剧人、作家、演员黄艾丽回归 Netflix，带来她的第三部原创喜剧特辑 《黄艾丽：大佬范儿》。正值情人节之际，艾丽袒露了她最狂野的幻想、一夫一妻制带来的挑战，以及她对单身人士的真实看法。《黄艾丽：大佬范儿》在新泽西州贝西伯爵剧院录制，于 2022 年 2 月 14 日在 Netflix 面向全球首播NNNNN
BBC于2013年制作，CCTV于2015年引进，并于3月24-26日在《自然》栏目播出；；；；；； 全3集分别为： 第1集《风沙星辰》在海湾地区深处，隐匿着世界最后一片大荒原。几十年来，它的神秘魅力和迷人景象一直不为世人所知。本片首次向世界展示它激动人心的多样地质和非凡的野生生物，以空前的近距离角度，带我们到三座大陆交叉点的神秘国度，感受富饶的文化和令人窒息的美景。 第2集《阿拉伯之珠》在阿拉伯南部的一个偏远角落里，一段山脊隐藏着一个巨大的秘密。每年在印度洋雨季的湿润下，阿曼佐法尔省的山区变成了一个神秘的隐藏世界：在这里到处都是瀑布，云雾缭绕着树林，处处都能发现变色龙和偷食蜂蜜的獾，成千上万只绿色的海龟上岸来产卵…… 第3集《沙漠巨变》几个世纪以来，阿拉伯人会举行骆驼大赛庆祝特殊的时刻。但在过去的半个世纪，正如整个阿拉伯发生的这样那样的变化，骆驼大赛也已面目一新。如今的骆驼大赛添加了现代科技的元素。为了减轻负重，人们用重量不超过一台笔记本电脑的遥控装置代替了骑师。
通过歌曲和双关语，喜剧演员洛基洛·弗洛雷斯爆笑讲述拉美人如何适应一个禁止拥抱的新世界TTTT
"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s：：：：：：
在这场变幻莫测的生存和策略游戏中，13 名玩家从零开始，争夺豪华别墅的一席之地和15 万欧元的巨额奖金GGGGGG
一男一女两位生存专家醒来惊讶地发现自己处在一个偏远而荒凉的地方。毫无装备、浑身赤裸的他们需要在此生存21天{{{{{{
